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Thursday, 05 February 2009
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Currently
Mozart: Requiem / McNair, Watkinson, Araiza, Lloyd; Marriner
By Wolfgang Amadeus Mozart, Academy of St. Martin-in-the-Fields, Sir Neville Marriner, Sylvia McNair, Carolyn Watkinson, Francisco Araiza, Robert Lloyd
see relatedCaritate Patris te consolor (I comfort you with the love of the Father)
I have not left you, I'm still here.
All I've ever had for you are words.
They are still yours, though you hear
Them nor see them no more.
He hears them. No, better still
He knows them, and He knows you
Better than I can or ever will.
He loves you, His love is true.
Wednesday, 04 February 2009
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Currently
Achtung Baby
By U2
Love is Blindness
see related"Behind the door"
How hard it is to let go of
A love you've never had a hold of,
You've reached the end of the tour
It lies behind that one locked door.
This one's not open to visitors,
No, nor yet the boldest of inquisitors
Are admitted to gaze upon its beauty-
The limit of you, and me, until eternity.
Perhaps the joy of the new creation,
When in Love, with faithful expectation;
On God's hidden artwork, we view.
Behind the door, He's working on something new.
Monday, 15 December 2008
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Ubi solem est?
The sun is way the hell down in the south somewhere (perhaps Florida? Alabama? Mississippi?). No matter, in five days I'll be closer.
Sunday, 14 December 2008
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Currently
The Richest Man In Babylon
By Thievery Corporation
see relatedWhere is the sun hiding?
I have the skin of an Irishman, no tan - only burns and thousands of freckles. The thickest screen can't keep the sun away from my skin when I'm down in the south.
But now the sun seems very, very, distant. More than the usual 92 million miles.
Saturday, 13 December 2008
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Limelight (nonsensical musings)
We have all taken turns standing on stage, watching strangers come and go. He exits right, she exits left. I have never seen him before, I shall never see her again. One flash and we shall all be gone. Perhaps we shall see each other at the curtain call. Maybe we'll even hold hands- before we hand our flowers to the director.
Everyone wants the limelight (I hear whisperings)
"Yours is big, cut it in half and perhaps we can stand in it together."
"The spotlight moves so much, how can I stay in it? Perhaps I shall just stand here, and wait for it to get to me.
"Move over, that's my spot."
My part is small, but I am written into the play. And I am satisfied.
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